An essay has been defined in a variety of ways. One definition is a "prose composition with a focused subject of discussion" or a "long, systematic discourse".
This is a companion essay to the booklet "Understanding Photography: A Theoretical and Practical Guide to Taking Great Pictures" and it is Photography and its impact essay material for the essay " A Philosophy of Erotic Visual Art " I would like to discuss here some elements that I think contribute to the value of many works of visual art, particularly photographs.
This is not meant to imply or show that these are the only elements of value nor that they will apply to all art, to all visual art, or even to all photographs, because I think some artists have or could have other ideals and other quests, and because creative artistic ideas could always be thought of that would not fit my perhaps narrow ideas.
However, I do think that art including photography does involve ideas, techniques, and or insights that can, however well or ill, be articulated in a way to help us evaluate the work.
Sometimes such articulations are even necessary. For example, a work of art that may be quite ingenious for some reason at the time it is created, may appear trite long after the innovations it has engendered become commonplace technique for less original artists.
Someone looking at the work without knowing it was the first of its type, may not appreciate it fully without learning of its significance. Artistic value is not just a matter of pure taste or simple emotional reaction.
If there is something good or bad about any work of art, I believe that can be pointed out. There may be disagreement and debate, but such disagreement is itself a sign there is something objective to decide.
Matters of individual, subjective taste -- such as what flavor ice cream tastes best to someone -- are not matters of debate; people simply state their preferences. The following is an attempt to point out what I think some of the aesthetic elements are involving photography as a visual art, and why.
First of all let me say that I think there can be, and often is, a big creative or artistic difference between good or beautiful pictures and pictures of good or beautiful subjects.
This can be seen in a number of ways. But the original required not only the same technical skill, but the original artist's inventiveness, imagination, insight, creativity, etc. The copy is not a great work of art, though it looks just like the original, which is.
In a sense the work of art is not then just the final product, but the product along with all that went into creating it; and not nearly as much goes into creating a copy. One is simply copying God or nature's portrayal of them. Hence, the portrait is not much more of a work of art than would be a copy of someone else's portrait.
In photography, just taking a picture of a person's face is essentially technically little different from copying a picture of them. I think it is important to consider what an artist "puts into" or brings to the subject that perhaps another person would not have seen or thought of.
Even in portrait photography, photographers can see people in different ways. If two technically competent photographers photograph the same person, the photographs might look very different, and may not even look like the same person. Styles of photography and what the photographers themselves see in the person may be very different.
As a photographer gets to know someone better, the photographer often sees that person in a different way and would photograph them looking quite differently. Or a photographer might see and be able to capture the same quality even though the person has changed a great deal in physical appearance over a period of time.
An interesting experience I had one time was when I met a woman I thought quite attractive and asked her to pose for me. She did; and then after she took home the portrait I made of her, she called to ask whether I had worked out of a different location nine years earlier, mentioning the specific location.
She said then that I was the one who had done her engagement picture when she was 21; I asked her maiden name and looked up her negatives and it was true. Neither of us had recognized the other she had changed a great deal in her hair style and facial structure, and had lost weight.
But she had recognized my portrait of her because twice, nine years apart, I had photographed her with almost the same "look" or essence that she liked and liked about herself and that no other photographer ever had.
She figured I must have been the same person who had taken her previous picture.
I have changed techniques considerably in the years and between her changes and mine the pictures are fairly different one is even of her smiling and the other notexcept for something about her look -- something very difficult to pinpoint exactly and something I cannot describe in words at all.
In landscape photography, a good photographer will not just take the first pretty scenery he sees but will also look for a better angle, a different perspective, will make sure the light is the best or one of the best lights to capture the beauty of the scene.Antony would like to respond to the article in El Pais yesterday: "I would just like to say that I suspect the translation of my interview was a bit rough, and the artistic statement I made was in reference to myself: "As a transgendered person, I am like a wild animal, beyond the realm of Christians and patriarchies.".
Last week, the Santa Clara County District Attorney’s office released a victim-impact statement written by a twenty-three-year-old woman raped on the Stanford campus.
The statement, which has. BBC Radio 3, March In this essay I will try to describe the driving influence behind my art, in the work of Johannes Vermeer, who lived in 17th century Holland. The trading floor of the New York Stock Exchange just after the crash of On Black Tuesday, October twenty-ninth, the market collapsed.
Fraternities can seem like an impenetrable part of American college life. They serve as social hubs, create bonds of brotherhood and promise to produce future leaders.
Antony would like to respond to the article in El Pais yesterday: "I would just like to say that I suspect the translation of my interview was a bit rough, and the artistic statement I made was in reference to myself: "As a transgendered person, I am like a wild animal, beyond the realm of Christians and patriarchies.".