Published Sep 9, in Music Read time: Jazz and Indian classical music—two of the great musical idioms of the world—at first would seem to have little in common.
Years later I would see how valuable those lessons were when I started learning sarode. I started to become more and more influenced by world musical traditions and in particular, that from India. Both are highly expressive with the great Western composers and their harmonic complexities and the Indian raga system based on melodic themes and variations.
Even within the Indian subcontinent we have diversity that has yielded two very distinct and great classical music traditions: The two traditions seem similar at first listening and are based on the same origins in Vedic times back to around BC.
My first hurdle was to reach some understanding of Indian classical music and that of course was to listen to it. I decided to include an excerpt of these notes: But I do have an unproved theory that a major contributing cause is the way we in the West are to listen to music.
But first, it seems to me there has to be a yielding to and an immersion in the music before knowledge of its structure can bring more than the pleasure of recognizing its architectonics. What has all this to do with these ragas? Listening to them I remembered and found again a review of a concert of Indian music by a very sophisticated and knowledgeable American music critic.
He had listened with his head and so he wrote: Confronted by pure melody and all it connotes of going into new dimensions of time, he was irritated. Pressing to follow all those fast variations the very fist time he heard them he felt nothing of the mood of the raga.
He was, in sum, tense because he was taking a test as to how well he could relate this music to all the other tests he had been given concerning how to listen to music. They were involved in mood and emotion, and so should he have been.
He must be willing to enter into a quality of time that has nothing to do with keeping appointments or writing down the exact length of each variation, slow or fast. He must be willing to let his emotions go.
For those who can do this, or at least make the first tentative beginnings, Indian music can be so instructive an experience — instructive emotionally — that it can affect the way one listens to all kinds of music.
About Hindustani Classical Music It is easier for me to think of Hindustani music as having melody raga and rhythm tala with no harmony.Like Western Music, both Hindustani and Carnatic music also has basic 7 swaras or 7 musical notes within an Octave (Western Music) or Saptak also called Saptaswaras (in Indian Classical Music).
It was interesting to see how the division in music has yielded such different styles of music in ‘Western’ and Indian classical forms.
Both are highly expressive with the great Western composers and their harmonic complexities and the Indian raga system based on melodic themes and variations. Jazz and Indian classical music—two of the great musical idioms of the world—at first would seem to have little in common.
Indian music, with roots going back thousands of years, developed in the courts and temples of India, and now is performed in concert halls around the world. Owing to Persian and Islamic influences in North India from the 12th century Notation is not a new concept in Indian music.
However, Carnatic music continued to be transmitted orally for centuries without being written down. Unlike classical Western music, Carnatic music is notated almost exclusively in tonic sol-fa notation using. It has two major traditions: the North Indian classical music tradition is called Hindustani, However, Indian music uses just-intonation tuning, unlike most modern Western classical music, which uses the equal-temperament tuning system.
Also, unlike modern Western classical music, Indian classical music places great emphasis on. Indian and western classical music: Differences and synergies.
Compare western an analysis of the federal budget music and indian classical music; An introduction to the literary analysis of barnabas Raga an analysis of shakespeares sonnet 12 Jog is a Ravi Shankar performance and improvisation on the Jog raga.
the creative writing vagabond change Comparision a comparison of indian and western.